Toutes peintures ā l'huile d'George Morland


ID Image Painting(From A to Z)    Details 
27461  
George Morland, A Sow and Her Piglets
 
 A Sow and Her Piglets   signed with initials Oil on panel 12 by 15 in 30.5 by 38.1 cm (mk59)
27466  
George Morland, A Sow and Her Piglets in a Farmyard
 
 A Sow and Her Piglets in a Farmyard   signed and dated 1795-Oil on canvas 17 1/4 x 21 3/4 in (43.8 x 55.3 cm) (mk59)
94474  
George Morland, Dogs In Landscape - Setters Pointer
 
 Dogs In Landscape - Setters Pointer   1792 cjr
94470  
George Morland, George Morland at an easel
 
 George Morland at an easel   oil on canvas 76.2 x 63.5 cm circa 1780 cjr
41064  
George Morland, The Approaching Storm
 
 The Approaching Storm   mk159 1791 Oil on canvas 85x117cm
83509  
George Morland, The inside of a stable
 
 The inside of a stable   Date 1791 cyf
94472  
George Morland, The Labourer's Luncheon
 
 The Labourer's Luncheon   cjr 1792
94471  
George Morland, The Reckoning
 
 The Reckoning   beofre 1902 cjr
97725  
George Morland, Theodor Kittelsen
 
 Theodor Kittelsen   Oil on canvas. 1879 cyf

George Morland
English genre, animal, and landscape painter, 1763-1804 was an English painter of animals and rustic scenes. Morland was born in London on 26 June 1763. His mother was a Frenchwoman, who possessed a small independent property of her own. His grandfather, George H. Morland, was a subject painter. Henry Robert Morland (c. 1719 ?C 1797), father of George, was also an artist and engraver, and picture restorer, at one time a rich man, but later in reduced circumstances. His pictures of Jaundry-maids, reproduced in mezzotint and representing ladies of some importance, were very popular in their time. At a very early age Morland produced sketches of remarkable promise, exhibiting some at the Royal Academy in 1773, when he was but ten years old, and continuing to exhibit at the Free Society of Artists in 1775 and 1776, and at the Society of Artists in 1777, and then sending again to the Royal Academy in 1778, 1779 and 1780. His very earliest work, however, was produced even before that tender age, as his father kept a drawing which the boy had executed when he was but four years old, representing a coach and horses and two footmen. He was a student at the Royal Academy in early youth, but only for a very short time. From the age of fourteen he was apprenticed to his father for seven years, and by means of his talent appears to have kept the family together. He had opportunities at this time of seeing some of the greatest artists of the day, and works by old masters, but even then a strange repugnance for educated society showed itself, and no persuasion



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